Bad Brains live at CBGB 1982:
The Beastie Boys turned curiosity into a form of art. They wanted to know more about what was around them and learn everything they could about what wasn’t. Forget about Kurt Cobain for a second: For kids like me, the Beastie Boys invented the 90s. Technology was changing fast and the world was shrinking rapidly. Between their music and label/magazine Grand Royal, the Beasties showed how to reach out and scoop up all the best parts. New York hip-hop and punk rock, Japanese pop, Jamaican dub– all of it could be gathered and re-assembled into something that reflected who you were. This sort of cultural mixing was nothing new, but the Beastie Boys brought it to the mainstream. They were ambassadors, but their hipness didn’t look down on anybody. It felt inclusive.
Related: Forrest Wickman on Adam Yauch’s legacy as successful NYC indie film mogul; Jen Doll on how, for her generational cohort, the Beasties provided “a form of musical New York PR—at least, a “PR” based in coolness, a new style of music, a new form of flouting the rules, a new kind of joy and energy.”
Flashback: NY Mag’s outstanding oral history of the Beastie Boys.
Update: Sarah Seltzer notes how Yauch and the Beasties addressed, renounced, and tried to make amends for their infamously regressive past:
When I think about the Beasties, I think first about the rebellious, obnoxious kids who first became famous. Then I inevitably remember their ability to move forward way past that phase, with rhymes like this one from MCA in the song “Sure Shot”: “I want to say a little something that’s long overdue/ The disrespect to women has got to be through/ To all the mothers and sisters and wives and friends/ I want to offer my love and respect to the end.
They also changed their offensive lyrics in concert and began to chastise regressive content in music — even their own.
As Ana Carey wrote last year, the Beasties prove that “being a sexist idiot in your youth … doesn’t mean that you can’t grow up and learn something.”
Happy Pride from everyone @ bastard.logic
New York’s Roman Catholic Church is trying a novel approach to alert children to the danger of being sexually assaulted by a priest, with an abuse-themed coloring book, officials said Tuesday.
“Being Friends, Being Safe, Being Catholic,” was distributed earlier this year to several hundred schools in the New York area as part of the church’s Safe Environment Program, a spokeswoman from the city’s Archdiocese said.
One image in the book features a guardian angel hovering over an altar boy with a priest lurking in the background.
“For safety’s sake, a child and an adult shouldn’t be alone in a closed room together,” the angel counsels.
More from the NY Times’ City Room blog:
The comic book, for schoolchildren from the sixth through eighth grades, tells the stories of a girl and a boy who have been victims of sexual abuse in separate incidents, and how they handled the situations. The comic book urges children to tell a trusted adult if they have been abused. The books were illustrated by Charles Barnett, an artist in Lake Katrine, N.Y.
While the books carry messages that are widely echoed in other educational programs for children, they also arise from the context of the sexual abuse scandals that have roiled the Catholic Church.
“It is sad, but it is a reflection of the times,” said Edward T. Mechmann, a former federal and state prosecutor who was hired in 2005 to direct the archdiocese’s Safe Environment Program. “We have to protect the kids and make sure when they deal with adults that it’s within the proper boundaries.”
Here’s a novel idea: why not simply purge the Church of known abusers? Gasp–I know, crazy talk. Still, a bastard can dream (while the Onion weeps).
h/t JJ Hippie