‘Heima’ (Icelandic for “at home” or “homeland”), truly, shows Sigur Rós as never before. Whereas seeing the group live is normally a large-scale and sometimes overwhelming experience, making full use of lights and mesmeric visuals, ‘Heima’ was always intended to reveal more of what was actually going on on stage. it does this via long-held close-ups and a rare intimate proximity, without ever once breaking the spell.
Loosely based on a documentary format – and including personal reflections from the band – ‘Heima’ also serves as an alternative primer for Iceland the country, which is revealed as less stag destination-du-jour and more desolate, magical place where human beings have little right to trespass.
‘Heima’ features performances of songs from all four Sigur Rós albums, many radically reworked, as well as two exclusive new songs in ‘guitardjamm’, which was filmed inside an abandoned herring oil tank in the far west of the country, and the traditional ‘a ferd til breidarfjardar 1922’, performed with poet Steindor Andersen.